A connoisseur, collector, and cultural custodian, Shalini Passi’s journey through art bridges heritage with modernity, shaping the discourse of India’s artistic evolution.
India’s artistic journey has always been one of vibrant duality – an enduring legacy of traditional crafts and a burgeoning contemporary art scene. In this captivating interplay between past and future, Shalini Passi has emerged as a key architect of a cultural renaissance. A connoisseur, collector, and patron, her journey in the arts is deeply personal, shaped by a childhood surrounded by creativity and a vision that balances heritage with innovation. Her insights offer a rare glimpse into the motivations, passions, and aspirations that drive India’s artistic transformation.
Shalini’s fascination with art began early. “My collecting journey started when I was young because I used to paint. My teacher in Modern School had many eminent artists as his friends, like Mr. B.C. Sanyal and Manjit Bawa, who would regularly visit the art room. That’s how my art journey actually began,” she recalls. Growing up amidst the works of modern masters in Delhi’s galleries and museums, her exposure to diverse artistic expressions laid the foundation for her curatorial sensibility.
For Shalini, Indian art is a dynamic interplay between deep cultural roots and contemporary evolution. “Indian art’s deep cultural roots and evolving narratives fascinate me. Globally, it’s gaining recognition, but more institutional support is needed to cement its place,” she observes. As both a custodian of heritage and a champion of modern expressions, her collection reflects a balance between the timeless and the avant-garde.
“The Indian art scene has transformed tremendously since I first began collecting. It has become more experimental, global, and digitally driven, with stronger collector and institutional backing,” she notes. Among the trends that excite her most are the fusion of art and technology and the rising emphasis on socio-political themes in contemporary works. “Progress is happening, but stronger institutional support and international collaborations are key to bridging the gap,” she emphasises. In her own capacity, she has sought to address this through MASH India, an online platform dedicated to supporting young and emerging artists. “MASH serves as a bridge between disciplines, highlighting the intersection of architecture, art, craft, design, and fashion. Through our website, online magazine, Young Artists Awards, interviews, and podcasts, we aim to make these disciplines more accessible and engaging to the public.”
Indian art’s deep cultural roots and evolving narratives fascinateme. Globally, it’s gaining recognition, but more institutional support is needed to cement its place.
Shalini believes that art is a powerful medium for reflecting and challenging contemporary realities. “Art reflects and challenges cultural, social, and political realities, sparking important dialogue,” she asserts. Her collection, curated with a keen eye for both historical relevance and innovative expression, embodies a mix of personal vision, cultural storytelling, and long-term impact.
One particularly significant acquisition is Mrinalini Mukherjee’s fibre work Kusum from 1996 (as seen on the next page). Created using hemp, the artwork’s flower-like form exudes both delicacy and strength, showcasing Mukherjee’s ability to blend organic beauty with monumental scale. “I’m drawn to how Mrinalini transforms humble materials into an intricate, almost mystical expression of nature,” Shalini shares.
Looking ahead, Shalini continues to push the boundaries of artistic engagement. Under the MASH India banner, she recently curated and presented ‘Fragments of the Future’, an exhibition held from January 10 to 12 as part of Ajio Luxe Weekend 2025. Showcasing artists who challenged conventional narratives, the exhibition encouraged viewers to rethink notions of space, culture, and artistic expression. “This exhibition was a conversation starter on the extraordinary power of the contemporary art scene in post-modern India. Through their innovative mediums and techniques, the pieces presented transcended traditional boundaries, offering profound reflections.”
Heritage anchors me, while contemporary art pushes boundaries. My collection reflects a balance between the two.
Despite the strides made, Shalini sees room for growth in India’s art ecosystem. “Stronger institutional support for emerging artists and public engagement with contemporary art would be transformative,” she asserts. Her passion and dedication make her more than a collector – she is a custodian of a narrative that bridges India’s glorious past with its dynamic present. Her journey underscores the evolving role of patrons in shaping artistic legacies, ensuring that art remains a powerful force for cultural discourse and innovation.